The idea is that each layer will have its own development from start to finish. At some point, two different layers might develop together; at other times, they might go against each other.
The basic form layer is already in place. I think the most interesting stuff might happen when there are changes in other layers that don't coincide with changes in the form.
I think I'll start with the rhythmic layer next, since I actually have an idea I want to use. It's a rhythm in 7/8, from an unfinished composition I did a couple of years ago:

It's kind of a "broken" rhythm that contains both triplet feel and even eighths, leaving many possibilities for tempo changes, metric modulations and polyrhythms. So that's what I'll explore next!
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